- #Slate digital vmr complete bundle review software
- #Slate digital vmr complete bundle review series
- #Slate digital vmr complete bundle review download
#Slate digital vmr complete bundle review download
Wonderful, wonderful stuff.$10.00 Slate Digital Virtual Tape Machines Vst Download Torrent While there are plugins out there that let you get deeper into the technical specifics of valve saturation, we’ve not heard many that match VTC for quality and authenticity and, frankly, its simplicity is a huge part of the sell. Put it on the SlateĪll three members of the Virtual Tube Collection sound unarguably fabulous, bringing thoroughly convincing tube saturation - to whatever degree you need it - to tracks, buses and mixes of all kinds.Īs with real analogue preamps and summing buses, the effect they have on the input signal can be almost magical: that palpable coalescence of the mix or thickening up of its individual elements the lifting of highs and lows the addition of bite and presence to vocals and instrumentation. The most versatile, though - and our favourite, were we forced to choose one - is Hollywood, which works wonders at the top and bottom, exciting and enhancing anything you care to throw at it. New York is considerably pokier and comes across as more upfront through its midrange emphasis, often requiring careful tweaking of wet/dry Mix to find the sweet spot. Each module has its own particular sonic character, defined by its frequency response, harmonic ordering/ distribution and non-linearities.Īs suggested by Slate, London is indeed the fattest, warmest and most obviously analogue-sounding of the three, best suited to drum buses, bass channels and vocals. Local specialitiesĪs you’ll have surmised, VTC is nothing if not easy to use, clearly being all about the sound that Slate have designed it to impart, rather than scientific under-the-hood tweaking of tube parameters and so on. Last and, indeed, least, the Output knob is VTC’s final-stage gain control. The Hi Freq knob sets the cutoff frequency of a high-pass filter, from Off to 250Hz, aiding in the removal of low-frequency noise, should it be required.
The Mix control is then used to tweak the distortion by balancing it against the dry signal - it’s of primary relevance to Preamp mode, but not entirely without its uses in Console mode. In Console mode, it models the effect of overdriving individual channels into the mix bus, resulting in the far more subtle ‘gluing’ vibe of an analogue summing bus. In Preamp mode, it overdrives the preamp, dialling in analogue warmth and colouration up to around 12-2 o’clock, then overt crunch and soft clipping distortion beyond that.
What happens when the Saturation is increased depends on which mode you’re in. With the switches set, operation of VTC largely boils down to manipulation of the Saturation and wet/dry Mix knobs. So, although VMR is never a pain to deal with in any sense, we’d nonetheless appreciate the option to load modules without it. The disadvantage of it - or rather, of having to use it to get access to VTC - is that it’s overkill when all you want to do is fire up a preamp. The advantage of VMR is that it enables you to build your own high-quality custom channel strips and chains, and save them out as complete presets.
#Slate digital vmr complete bundle review series
Up to eight modules can be dragged into the ‘rack’ from a scrolling side panel, and the input signal flows through them in series from left to right. Graphically styled on the API 500 ‘lunchbox’ format, VMR is simply a shell plugin into which Slate’s various analogue-emulating signal processing modules are loaded, including the two EQs and two compressors that come with it, those of the Virtual Console and Virtual Preamp Collections, the Air and Earth EQs, the FG-Bomber “Dynamic Impact Enhancer” and now, VTC.
#Slate digital vmr complete bundle review software
Virtual Tube Collection’s three modules can only be used within Slate Digital’s Virtual Mix Rack plugin, which - fortunately - is a great piece of software in itself.
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